![]() How to Use Multiclassing as a Narrative Tool.As such, there are several things to consider before diving in. It’s just faster and easier to write it that way.įor the sake of this article, we’ll assume your DM has given the green light. Whether or not it is allowed at your table is a good session zero topic.įor those unfamiliar, if I write “Cleric 6 / Bard 5 / Fighter 1”, this means that the character is a level 6 cleric, level 5 bard, and level 1 fighter. Whatever the case, not all builds are equal.Ī word of warning: multiclassing, as well as feats (which feature prominently in many builds), is an optional rule. People multiclass for story reasons, as a gimmick, to specialize, to round out a weak point, or a mix of the above. Outside performance, sometimes your vision for a character doesn’t fit a single class, so you reach for others. Doing it right can make you nearly unstoppable, but doing it wrong can severely limit your enjoyment. Multiclassing-it allows you to take the strengths of another class or two, giving additional proficiencies, abilities, spells, and more. ![]() Orvar is a terrifying, wooly tank who holds the line as a raging direwolf with resistance to most damage types. Yndahl can reliably deal ridiculous amounts of damage from a distance with barrages of his favorite cantrip. On the go? Listen to the audio version of the article here:Ĭonsider this 9th level D&D party: Thomasin is sneaky, eloquent, and boasts proficiency in most skills.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |